{"id":3618,"date":"2026-05-15T12:02:34","date_gmt":"2026-05-15T09:02:34","guid":{"rendered":"https:\/\/matzpen.org\/english\/?p=3618"},"modified":"2026-05-20T13:10:23","modified_gmt":"2026-05-20T10:10:23","slug":"a-chronicle-of-breakups","status":"publish","type":"post","link":"https:\/\/matzpen.org\/english\/2026-05-15\/a-chronicle-of-breakups\/","title":{"rendered":"A Chronicle of Breakups \u2013 Shadi Rohana"},"content":{"rendered":"<h5 style=\"text-align: center;\">ngg_shortcode_0_placeholderEduardo Mosches (David Moses). The key is always the memory of a door<\/h5>\n<p>&nbsp;<\/p>\n<p>[This article was published in the Mexican <em><a href=\"https:\/\/periodicodepoesia.unam.mx\/texto\/una-cronica-de-rupturas\/\" target=\"_blank\" rel=\"noopener\">Peri\u00f3dico de Poes\u00eda<\/a>, <\/em>March 2023. Mitchell Abidor translated it to English for the Matzpen site]<\/p>\n<p>I would like to introduce the poetry collection by Eduardo Mosches (Buenos Aires, Argentina, 1944), <em>Los tiempos mezquinos<\/em> (Mean Times), using the dedications that appear at the beginning of the book as a starting point. On page 10, following the prologue by Sandra Lorenzano, there is a list of people to whom the author dedicates his poems. This list, together with the poems, sheds light on Eduardo&#8217;s life in my country\u2014Palestine (which some call Israel)\u2014during the time he resided there between 1963 and 1969. During this period, our paths coinicded geographically, though not chronologically, as this occurred two decades before I was born. The second time our paths coincided was during Eduardo&#8217;s time in Mexico, this one a lengthy period as it, too, began before I saw the light of day. However, here in Mexico, we have shared both time and space since I first met him nine years ago.<\/p>\n<p>I speak of coincidences because it was thanks to them that the poet Mosches\u2014a descendant of Yiddish-speaking Jews from Eastern Europe\u2014was born, in the wake of pogroms and two world wars, as a Spanish speaker on the banks of the R\u00edo de la Plata. And it was another coincidence that I was born in that other land\u2014on the shores of the Mediterranean\u2014a land condemned to be both &#8220;holy&#8221; and the target of the Zionist colonization project, of which the young Eduardo was a part until, as he notes in his collection:<\/p>\n<blockquote><p>my healthy youthful nose<br \/>\nbegan to catch the scent of rot. (p. 14)<\/p><\/blockquote>\n<p>Let us look at the dedications at the beginning of the book, although without strictly adhering to the order in which they appear. Let us begin with Eduardo\u2019s biological family:<\/p>\n<blockquote><p>To my father, who sowed roots of dissent.<\/p>\n<p>To my sisters, who live in those lands.<\/p>\n<p>In memory of my mother, who has remained\u2014permanently\u2014in Israel-Palestine. (p. 10)<\/p><\/blockquote>\n<p>Eduardo told me that he was born into this family in the neighborhood of La Floresta\u2014&#8221;a neighborhood of the lower-middle class, mixed with working-class sectors, in the north of the city of Buenos Aires&#8221;\u2014in a small house on Caxarville Street 1. &#8220;The lovely thing about that house,&#8221; he once told me, &#8220;was the patio, where I would spend hours reading in the warmth of the sun about the adventures of the anti-colonial and anti-imperialist pirate Sandokan. At my side was Chiquita, a German Shepherd who was very warm, affectionate, and, quite large, I might add.&#8221; At the age of 13, the family moved to the San Telmo neighborhood, into a second-floor apartment on Chile Street that his father\u2014a journalist, athlete, union leader, and, as he described him, &#8220;a very vital guy&#8221; \u2014 had bought and then promptly sold. For his father, he also noted, &#8220;had had a tendency to get involved in business ventures that would always go wrong.&#8221; It was there, at age 13, that the permanent migration began, from neighborhood to neighborhood, from school to school, until, in 1963\u2014at the age of 19\u2014he migrated with his family from one sea to another:<\/p>\n<blockquote><p>I set sail from the country with wide streets\u2014<br \/>\nthe widest in the world\u2014<br \/>\nof long, Sunday lunches<br \/>\n[\u2026] only to land in another port. (p. 14)<\/p><\/blockquote>\n<h5 style=\"text-align: center;\">ngg_shortcode_1_placeholderEduardo Mosches&#8217; book cover<\/h5>\n<p>The port where the ship docked two weeks after setting sail from Buenos Aires was that of my own city, Haifa, in Palestine, on the eastern shore of the Mediterranean. In this city, twenty years before the arrival of the Mosches from Argentina, Zionist armed forces\u2014acting in coordination with their British patrons\u2014had expelled the native community of Palestinian Christians and Muslims to make room for the Jewish settlers arriving from all over the world. On March 17, 1948, Zionist forces drove the Palestinians of Haifa toward the port, where ships awaited them to transport them to the city of Akka\u2014on the other side of the Gulf of Haifa\u2014and, from there, into exile in Lebanon. My mother\u2019s family\u2014my grandfather, grandmother, and two uncles\u2014couldn\u2019t find any room on the ships, and so survived the ethnic cleansing operation. By the time Eduardo and his family arrived in 1963, my mother&#8217;s family was already living in the Arab ghetto of Haifa, known as Wadi Nisnas, where the Palestinian population that had survived the Nakba was concentrated by the nascent State of Israel.<\/p>\n<p>Regarding the sea voyage from Buenos Aires to Haifa, Eduardo remarks: \u201cI did not suffer from excessive seasickness, despite the rocking and swaying the ship was undergoing\u2014and we along with it.\u201d Upon crossing the equator, a carnival-like celebration was organized on the high seas, during which Eduardo dressed up as Jesus of Nazareth: \u201cIt was simple,\u201d he said: \u201ca sheet draped across my body, a few lacerations drawn on my face, and nothing else.\u201d<\/p>\n<p>Why did they decide to migrate from Argentina\u2014the country with the widest avenue in the world\u2014to Palestine, to Israel? There were many reasons: myth-making, indoctrination, and antisemitism. As Eduardo told me: \u201cAt school, I never stopped hearing \u2018you fucking Jew\u2019 whenever conflicts arose.\u201d But the most significant factor for him was the utopian element. \u201cI\u2019m going to a place,\u201d Eduardo told me he thought before boarding the ship, \u201cwhere people don\u2019t think about money, but about collective labor; where there is equality for all.\u201d He was utterly oblivious to the colonial reality that the State of Israel\u2014and Jewish migration\u2014represented for the Palestinian people living in the region.<\/p>\n<p>After navigating the immigration formalities regarding a Jew\u2019s spurious \u201creturn\u201d to his \u201cPromised Land\u201d\u2014and completing the customary training courses in manual labor and the Hebrew language\u2014Eduardo (or rather, David Moses, the name the author assumed during his time in Palestine) was assigned to a kibbutz (or \u201csocialist commune\u201d in Zionist euphemistic parlance) named Magal. Built in 1953, Kibbutz Magal occupied lands that had previously belonged to a Palestinian village called Raml Zeita\u2014one of the 500 villages destroyed and razed to the ground by Zionist forces in 1948. Nevertheless, and quite swiftly,<\/p>\n<blockquote><p>It was difficult to crack the shell<br \/>\nof appearances.<\/p>\n<p>The rhetoric of return and equality\u2014<br \/>\nthe socialist image of the kibbutz\u2014<br \/>\ncrumbled in sorrow<br \/>\nthe moment<br \/>\na simple, observant gaze<br \/>\nbrushed against the white Arab village. (p. 14)<\/p>\n<p>[\u2026]<\/p>\n<p>My brothers have let me down. (p. 23)<\/p><\/blockquote>\n<p>This white Arab village bears the name Baqa Al-Gharibiyya. Located less than a kilometer from Kibbutz Magal, it is one of the few Palestinian villages that, also by sheer coincidence, survived the Zionist ethnic cleansing of 1948. For his urban getaways from the cramped confines of the kibbutz, where the work assigned to Eduardo consisted of being in charge of a chicken coop (or, as he describes it: \u201ccollecting the eggs, feeding the chickens, and, after a time, sending them to their deaths\u201d) Eduardo would head to the Israeli city of Hadera (also built on expropriated Palestinian land) to catch a movie. Reflecting on those excursions, he remarks:<\/p>\n<blockquote><p>The bus I took would pass through the Palestinian town of Baqa al-Gharbiyya. From the bus, I could do no more than catch a fleeting glimpse of Baqa. And in that brief glimpse, I was struck by the living conditions there compared to those of the kibbutz and other communities inhabited by Israelis\u2014such as Hadera and Netanya. From the bus, I observed a vast disparity in the infrastructure and the (profoundly dismal) living conditions. I began to ask myself questions: Why was there such a stark difference across such a short distance\u2014barely twenty minutes away? What is going on here? What accounts for this brutal social divide?<\/p><\/blockquote>\n<p>To find answers, Eduardo made his way, in 1964, to the local branch of the Israeli Communist Party in the nearby city of Netanya (which, incidentally, was also built atop a Palestinian village destroyed in 1948\u2014a village formerly known as Umm Khalid). Unlike the Zionist environment of the kibbutz, which was exclusively Jewish, Hebrew-speaking, and anti-Arab, the Israeli Communist Party was, at that time, the only space where both groups\u2014Israelis and Palestinians\u2014could organize side by side in a spirit of camaraderie, fighting against discrimination against Palestinians and striving toward the communist utopia. Within the party, Eduardo also had the opportunity to meet members of the Palestinian intelligentsia and engage with them as equals. One of the members of that intellectual circle was Samih al-Qasim (1939\u20132014), one of the most important Palestinian poets of the 20th century, to whom Eduardo dedicates <em>Los tiempos mezquinos<\/em> (Mean Times):<\/p>\n<blockquote><p>In memory of Samih al-Qasim, a poet with whom we drank alcohol and coffee, and shared moments of friendship. (p. 10)<\/p><\/blockquote>\n<p>Al-Qasim is the same poet whom Eduardo\u201456 years later\u2014published in the issue titled \u201cPalestine: Words in Dark Times\u201d of Blanco M\u00f3vil, the journal our author has edited in Mexico since 1985:<\/p>\n<blockquote><p>I learned<br \/>\nover centuries<br \/>\nnot to utter heresies;<br \/>\ntoday I scourge the gods<br \/>\nwho dwelt in my heart\u2014<br \/>\nthe gods who sold out my people<br \/>\nin the 20th century. (p. 33, translator unknown)<\/p><\/blockquote>\n<p>For Eduardo, this ideological shift to the Communist Party entailed a move to another kibbutz: Yad Hana, which had also been built upon Palestinian lands expropriated by Zionism. The members of Yad Hana were militants of the Israeli Communist Party, and there Eduardo forged a bond of friendship and camaraderie with the now-renowned historian Shlomo Sand, author of three books controversial within Israeli intellectual and academic spheres: <em>The Invention of the Jewish People<\/em> (2008), <em>The Invention of the Land of Israel<\/em> (2012), and <em>How I Stopped Being Jewish<\/em> (2013).<\/p>\n<p>Eduardo told me that during this new communist phase he, Shlomo, and one other comrade\u2014Israel Wohlgelernter\u2014formed a sort of \u201cThree Musketeers\u201d. \u201cThe three of us understood one another deeply. We would go out together, holding our afternoon hashish-smoking sessions. Together, we led a bucolic life, and together we sought to establish connections with Palestinian comrades who went further than the \u201cArab-Jewish brotherhood\u201d called for by the Israeli Communist Party. Well, the Party only took us to visit a few Palestinian villages\u2014a kind of political tourism\u2014just to hang around for a while, in a kind of festive atmosphere, and then to head back to the kibbutz as if nothing had happened.\u201d<\/p>\n<p>There was one more break, one more move: the Three Musketeers (Eduardo, Shlomo, and Israel) broke with the Communist Party and the kibbutz, and went to live in the city of Tel Aviv\u2014a city which, although it boasts of being the \u201cfirst Hebrew city\u201d\u2014founded in the early 20th century on coastal lands purchased from an Arab landowner\u2014was by 1966 already a sprawling metropolis that had swallowed up the surrounding Palestinian lands, including the Arab city of Jaffa. The most important modern Palestinian city of the first half of the 20th century had been reduced by Tel Aviv to a poor Arab quarter and gentrified by luxury apartments and homes for Israeli Jews, Europeans, and Americans. In Tel Aviv, Eduardo\u2019s first roof over his head and his first job were located precisely in Jaffa. Regarding that experience, he told me:<\/p>\n<blockquote><p>\u201cDuring my first few days, I lived in a large hall that contained about thirty beds. Palestinian workers who came from the villages to work in Tel Aviv and its environs would spend the night there. They were all construction workers, and with their help, I landed my first job in that same field.\u201d<\/p><\/blockquote>\n<p>After a few weeks, with a more stable job secured, Eduardo moved into an apartment in a central part of Tel Aviv, close to the sea, sharing the flat with others\u2014like himself\u2014 who were exiles from the Communist Party: active Trotskyist, Maoist, Guevarist, and New Left militants, grouped around the Socialist Organization in Israel. This organization was better known as Matzpen (which means \u201ccompass\u201d in Hebrew), named after the newspaper that bore that name. Despite the many political factions within the organization, its ranks never numbered more than thirty militants\u2014among them the three individuals who head the list of dedications in Los tiempos mezquinos:<\/p>\n<blockquote><p>To Lea Zemel, Attorney at Law &#8230;an Israeli advocate for Palestinian political prisoners.<br \/>\nTo Michael Warschawski (Mikado), who, over the course of decades, has analyzed, reported on, challenged, and proposed alternative paths to Israeli colonial policy.<br \/>\nTo Jabra Nicola, a Palestinian socialist whose ideas live on. (p. 10)<\/p><\/blockquote>\n<h5 style=\"text-align: center;\">ngg_shortcode_2_placeholderEduardo-David (center of picture, holding a banner with a curved arrow on it) protests in Jerusalem against the occupation, January 28, 1969<\/h5>\n<p>&nbsp;<\/p>\n<p>Eduardo was active in Matzpen until his departure from Palestine in 1969, bound for Germany, Argentina, and, finally, Mexico. When I was born in Haifa, Eduardo was already in Mexico, while the Socialist Organization in Israel had ceased to exist several years earlier. Driven by questions similar to those Eduardo asked himself in his youth, I ended up joining the youth wing of the Communist Party, only to leave it later, without finding an organized political home, yet finding myself among former Matzpen members who had remained active, each from their own particular trench. I met Lea\u2014who served as my lawyer and assisted me the first time I was summoned and interrogated by Israeli intelligence\u2014and Mikado, who also happened to be my director when I worked at the Alternative Information Center in Jerusalem. I also encountered Jabra\u2014the admired Palestinian socialist and third name on the dedication list of <em>Los tiempos mezquinos<\/em>\u2014whom, regrettably, I never met in person. (<a href=\"https:\/\/matzpen.org\/english\/1975-04-10\/comerade-jabra-nicola-1912-1974-by-moshe-machover\/\">Jabra Nicola<\/a> died in exile in London in 1974.)<\/p>\n<p>Furthermore, I met many other comrades and friends of Eduardo\u2019s from his time in Palestine\u2014such as <a href=\"https:\/\/matzpen.org\/english\/2013-03-10\/a-working-class-hero\/\">Akiva Orr<\/a>, Udi Adiv, and <a href=\"https:\/\/matzpen.org\/english\/2017-01-28\/hebron-in-my-heart-eran-torbiners-film\/\">Haim Hanegbi<\/a>\u2014who became my mentors and friends, just as the Latin American comrade Eduardo Mosches would later become. It was on January 31, 2013, at the UNAM Faculty of Philosophy and Letters, that I finally met him. On that day, Eduardo was participating in a roundtable discussion titled \u201cSemitisms\u2014Antisemitisms?\u201d \u201cGaza and Jerusalem,\u201d alongside Enrique Dussel, Ram\u00f3n Grosfoguel, and Silvana Rabinovich\u2014a mutual friend whom I met that very day. It is to her, as well, that Eduardo dedicates his poetry collection:<\/p>\n<blockquote><p>To Silvana Rabinovich, with whom I have learned to think \u201cLevinassianly.\u201d (p. 10)<\/p><\/blockquote>\n<p>During that roundtable discussion, Eduardo\u2019s contribution consisted of reading a political <a href=\"https:\/\/matzpen.org\/english\/1968-03-22\/general-declaration-by-the-iso\/\">manifesto by Matzpen<\/a>, dating from 1968, which articulated the necessity of decolonizing Israel and granting the repatriation of Palestinian refugees as the sole viable condition for Jews and Arabs in Palestine to live together in peace. Furthermore, the manifesto called for the creation of a socialist confederation encompassing all the peoples of the Middle East.<\/p>\n<p>Since that day, the friendship between Eduardo and me has been like water flowing through many mills. Yet today, I find myself reflected in this book\u2014not only in the updated dedication of this second edition of <em>Los tiempos mezquinos<\/em>, but also in its Poem VI, alongside the Jews of Toledo, Salonica, and Berlin. Thirty years ago, Eduardo wrote:<\/p>\n<blockquote><p>The key is always<br \/>\nthe memory of a door.<br \/>\nTo toy with one\u2014or several\u2014<br \/>\nis to hold between one\u2019s fingers<br \/>\na cup of coffee or tea<br \/>\ntransformed<br \/>\ninto conversations of repose.<br \/>\nThousands of index fingers<br \/>\npoint to milestones<br \/>\nin the quiet life<br \/>\nof so man<br \/>\npeople gathered as family.<br \/>\nAlmond sweets,<br \/>\napple cake,<br \/>\nMosaic precepts,<br \/>\nQuranic teachings\u2014<br \/>\nsorrows held between the teeth;<br \/>\nthe keys<br \/>\nthat they lovingly keep<br \/>\nin camphor-scented drawers<br \/>\nor biscuit tins,<br \/>\nand which they bring out in the afternoons\u2014<br \/>\nthe Jews of Toledo,<br \/>\nSalonika, or Berlin,<br \/>\nalongside the Arabs<br \/>\nof Haifa, Tulkarm,<br \/>\nor all of Palestine.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>This article was written by a Palestinian from Haifa about the Mexico City poet Eduardo Mosches, who had been a Matzpen member in the late 60&#8217;s and was known to his friends at the time as David Moses. The article was published in Peri\u00f3dico de Poes\u00eda, March 2023, and was translated from Spanish by Mitchell Abidor, May 2026<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[265,264],"class_list":["post-3618","post","type-post","status-publish","format-standard","hentry","category-articles","tag-eduardo-mosches","tag-shadi-rohana"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Chronicle of Breakups \u2013 Shadi Rohana - Matzpen.org\/English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/matzpen.org\/english\/2026-05-15\/a-chronicle-of-breakups\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Chronicle of Breakups \u2013 Shadi Rohana - Matzpen.org\/English\" \/>\n<meta property=\"og:description\" content=\"This article was written by a Palestinian from Haifa about the Mexico City poet Eduardo Mosches, who had been a Matzpen member in the late 60&#039;s and was known to his friends at the time as David Moses. 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